So, the good news is that I finally found a cure for my chronic insomnia. For serious, every time I read this I fell asleep. I'm blaming Mailer for The Great Nap Debacle of Last Sunday, wherein I took not just one but two lengthy naps, and was awake till the wee hours, when it occurred to me to pick up the book again. Bingo. Out like a light. This shit is better than Xanax.
So anyway. I was feeling guilty about all the trash I've been stuffing into my brain lately, so I wanted to redeem myself. This Guy Formerly Known as My Stepfather had this for years, and was kind enough to leave it when he vacated the premises. I spotted it and said, "Nicole, grab that. You need to make penance for all that Nora Roberts noise you've been reading." In the future, the next time I tell myself to do something, could one of you hit me in the head? 'Kthanksbye.
This book is exhaustive. I mean, really and truly. I read all 791 pages, because I do not like to give up on books, but my stars, I was more confused at the end than at the beginning. Like, trying to solve a physics problem confused. I wasn't even sure where I was. (Extensive research led me to the conclusion that I was in my bedroom.) Mailer interviewed family, friends, acquaintances, and colleagues of Lee Harvey Oswald; he pored over and frequently references the Warren Commission testimony; he took excerpts of other books written about LHO; he incorporated letters and other writings, both to and by Oswald. Oswald's time in Russia, where he married Marina and had his first child, takes up nearly the first third of the book. His military history with the Marines is dissected. His job history is investigated. KGB and FBI records are made public. Mailer leaves no stone unturned in his quest to find the man who killed JFK (I don't even want to go into conspiracy theories). He not only delves into Oswald's past, but that of his wife, her family, and his mother. He goes back decades and decades to the beginning of the 20th century. He outlines the differences between various intelligency agencies and the perceptions of Oswald gleaned by said agencies.
The problem is, Oswald was a puzzle in life, and remains a series of contradictions in death. He was a failure who thought that he was something special; he renounced his US citizenship in Moscow (but not formally) only to return to the States a few years later, his experiment with communism a wash; he may or may not have been gay; he was a gregarious recluse. There's just too much information, and there is never a satisfactory answer to the question "Who was this man?" Again, this was no fault of Mailer's. It was just a question that will never be answered. No one could get a handle on Oswald before Jack Ruby put a bullet in his belly, so how could anyone possibly do it when the man's secrets died with him?
I'm going to keep the book on hand as a weapon for the zombie invasion. They're coming. Just you wait.
Showing posts with label nonfiction. Show all posts
Showing posts with label nonfiction. Show all posts
Sunday, August 30, 2009
Monday, August 24, 2009
Title Fifty Seven: A Final Arc of Sky: A Memoir of Critical Care by Jennifer Culkin
So, we all know by now that I'm a sucker for memoirs, medicine-related books, and combinations of the two. (Look, are you reading a hundred books in a year?) So I went to Barnes and Noble one day at lunch, as I tend to do when my friend Lo is craving one of their pizza pretzels, and was trolling for something cool and came upon A Final Arc of Sky. In all honesty, I checked out the flappy thinger that tells you what it's about (my job renders me brain dead, shut up) and put it back. Then I wandered away, wandered back, looked again, wandered away, wandered back, and grabbed it. It promised me tales of Culkin's career as a critical care/emergency flight nurse, and I wanted the blood and guts and syringes and O2 tanks and flying while trying to keep a dude who wrapped his car around a telephone pole going long enough to make it to the hospital. I'm that kind of girl.
Culkin half-delivered. I don't even know if that's a word or if I made it up, but if you had to read spreadsheets all day you wouldn't be coherent either. There are some great tales of accident victims, medical type actions, and the general bad-assery of the job - I mean, for serious, it takes some titanium balls to do everything in your power to keep someone alive while you're flying in a tin can through a storm in Washington state. And that's your job. Like it's my job to look at spreadsheets, it was Culkin's job to keep people alive in the air. During 24-hour shifts. No fancy machines, no team of doctors, no Code Blues. Just a couple of nurses, a pilot, and someone with one foot out life's door. Do you realize how cool that is?
Culkin frames the story in vignettes more than chapters, and it lends a sort of choppy feel to the narrative. I also became disappointed when the story veered off into her personal life and followed the illnesses and deaths of her parents (her dad was kind of a prick in his final months) and then her own struggle with MS. Don't get me wrong, I admire her for speaking up about her own illness, but I think I was so tired of reading about her father that I just couldn't muster up the energy to feel genuine emotion. There were also a couple of chapters about her love of bike riding, and I just didn't care about that. I skipped them. They were, at best, tangential and, at worst, completely unnecessary. Culkin rounds out the memoir with a powerful chapter on a fatal crash and the deaths of the colleagues involved, even though she had gone on disability by that point, and how it affected her. She realizes that it could have been any one of them, and recalls the deceased with affection and respect. Then it just kind of ends.
Honestly, I wish I hadn't spent my money on the book, because it really only comes out as mediocre and uneven on the whole. I did use a coupon, though.
Culkin half-delivered. I don't even know if that's a word or if I made it up, but if you had to read spreadsheets all day you wouldn't be coherent either. There are some great tales of accident victims, medical type actions, and the general bad-assery of the job - I mean, for serious, it takes some titanium balls to do everything in your power to keep someone alive while you're flying in a tin can through a storm in Washington state. And that's your job. Like it's my job to look at spreadsheets, it was Culkin's job to keep people alive in the air. During 24-hour shifts. No fancy machines, no team of doctors, no Code Blues. Just a couple of nurses, a pilot, and someone with one foot out life's door. Do you realize how cool that is?
Culkin frames the story in vignettes more than chapters, and it lends a sort of choppy feel to the narrative. I also became disappointed when the story veered off into her personal life and followed the illnesses and deaths of her parents (her dad was kind of a prick in his final months) and then her own struggle with MS. Don't get me wrong, I admire her for speaking up about her own illness, but I think I was so tired of reading about her father that I just couldn't muster up the energy to feel genuine emotion. There were also a couple of chapters about her love of bike riding, and I just didn't care about that. I skipped them. They were, at best, tangential and, at worst, completely unnecessary. Culkin rounds out the memoir with a powerful chapter on a fatal crash and the deaths of the colleagues involved, even though she had gone on disability by that point, and how it affected her. She realizes that it could have been any one of them, and recalls the deceased with affection and respect. Then it just kind of ends.
Honestly, I wish I hadn't spent my money on the book, because it really only comes out as mediocre and uneven on the whole. I did use a coupon, though.
Labels:
cannonball read,
jennifer culkin,
medicine,
memoir,
nonfiction,
pajiba,
reviews
Sunday, August 16, 2009
Title Fifty Six: The House at Sugar Beach by Helene Cooper
It is so, so rare to find a memoir that can blend fact, experience, personal and political history, and a conversational tone and deliver something so pitch-perfect that you can't put it down. I managed to read Cooper's lovely account of her privileged girlhood in Liberia, followed by her escape to America as a refugee and successful career as a journalist, in about three and a half hours (roughly the time it took for me to fly to Portland and back). It was that engaging and gripping; touching without being manipulative, and informative without being pedantic.
Cooper begins with a short history of the country of Liberia itself - the only American attempt at colonization - and traces her own roots back to the founders of the country through both her mother and father. The author neatly encapsulates the background and peppers it with enough details and anecdotes to keep it from becoming dusty or dry. Fast forwarding nearly a hundred and fifty years, Cooper describes her childhood as a daughter of a wealthy and influential family; her father built a luxurious estate in a secluded suburb of the city of Monrovia, a home that the family called "Sugar Beach." Cooper's parents, who already had children of their own, brought a poor native girl named Eunice to live with the family in order to keep Helene and her sister Marlene company. Eunice was treated well and loved by the girls as a sister, but the Liberian caste system prevented her from truly belonging to the family. Cooper evokes vivid memories of parties, private school, clothes from America, vacations, fancy cars, and handsome boys as she describes a charmed girlhood. Then overnight, a coup destroyed the delicate balance of Liberian life and families such as the Coopers were marked for death. Helene watched her uncle, a government official, executed on television. In a matter of weeks Helene, Marlene, and their mother refugeed from Liberia and fled to America as the world they left behind crumbled and burned, giving way to a new world where women were raped and slaughtered and children were orphaned and forced into militias. Eunice had to be left behind, and Helene didn't see her again for decades.
After the coup and the escape, the Coopers built a new life in America, but Helene was never comfortable, and they moved around quite a bit. John Cooper eventually went back to Liberia and died there; Calista and Marlene Cooper also returned but came back to the U.S. after several years. Only Helene never cared to go back. Helene dedicated herself to her studies and became a reporter at UNC, then moved on to a journalism career that took her to the Wall Street Journal and later all over the world, but she locked away her feelings on Liberia and focused on her new life as an American, preferring to forget her past, until she found herself in Iraq in the beginning of the war and narrowly avoided dying in an attack. Helene Cooper picked herself up, dusting herself off, and decided that if she were going to die in a war, it should be Liberia. Her decision brought her face to face with the horrors she never wanted to see again, but it also brought her back to Eunice, and gave her a second chance that should probably never have happened.
A story like this should be trite. It should make you roll your eyes and sigh derisively. The beauty of The House at Sugar Beach is that, instead, it makes your heart ache and your eyes tear in the best of ways. (I fully admit to crying a little while reading the description of Helene's father's death, although I was surreptiously trying to knuckle the tears away lest the air hostess ask me if I was all right and embarrass me on a plane full of strangers.) It made me wonder why I didn't know more about Liberia or the atrocities committed there, and it made me respect someone who took the pieces of a shattered life and rebuilt them while she was still just a child, and then had the courage to risk that fragile existence by going back as an adult. Cooper keeps it real in the best sense of the word, being matter-of-fact without being cold, being honest without being callous, and being true without being exploitative. The mixture of emotion and fact is beautifully balanced, and makes for a bittersweet story with the happiest ending it could have had.
Cooper begins with a short history of the country of Liberia itself - the only American attempt at colonization - and traces her own roots back to the founders of the country through both her mother and father. The author neatly encapsulates the background and peppers it with enough details and anecdotes to keep it from becoming dusty or dry. Fast forwarding nearly a hundred and fifty years, Cooper describes her childhood as a daughter of a wealthy and influential family; her father built a luxurious estate in a secluded suburb of the city of Monrovia, a home that the family called "Sugar Beach." Cooper's parents, who already had children of their own, brought a poor native girl named Eunice to live with the family in order to keep Helene and her sister Marlene company. Eunice was treated well and loved by the girls as a sister, but the Liberian caste system prevented her from truly belonging to the family. Cooper evokes vivid memories of parties, private school, clothes from America, vacations, fancy cars, and handsome boys as she describes a charmed girlhood. Then overnight, a coup destroyed the delicate balance of Liberian life and families such as the Coopers were marked for death. Helene watched her uncle, a government official, executed on television. In a matter of weeks Helene, Marlene, and their mother refugeed from Liberia and fled to America as the world they left behind crumbled and burned, giving way to a new world where women were raped and slaughtered and children were orphaned and forced into militias. Eunice had to be left behind, and Helene didn't see her again for decades.
After the coup and the escape, the Coopers built a new life in America, but Helene was never comfortable, and they moved around quite a bit. John Cooper eventually went back to Liberia and died there; Calista and Marlene Cooper also returned but came back to the U.S. after several years. Only Helene never cared to go back. Helene dedicated herself to her studies and became a reporter at UNC, then moved on to a journalism career that took her to the Wall Street Journal and later all over the world, but she locked away her feelings on Liberia and focused on her new life as an American, preferring to forget her past, until she found herself in Iraq in the beginning of the war and narrowly avoided dying in an attack. Helene Cooper picked herself up, dusting herself off, and decided that if she were going to die in a war, it should be Liberia. Her decision brought her face to face with the horrors she never wanted to see again, but it also brought her back to Eunice, and gave her a second chance that should probably never have happened.
A story like this should be trite. It should make you roll your eyes and sigh derisively. The beauty of The House at Sugar Beach is that, instead, it makes your heart ache and your eyes tear in the best of ways. (I fully admit to crying a little while reading the description of Helene's father's death, although I was surreptiously trying to knuckle the tears away lest the air hostess ask me if I was all right and embarrass me on a plane full of strangers.) It made me wonder why I didn't know more about Liberia or the atrocities committed there, and it made me respect someone who took the pieces of a shattered life and rebuilt them while she was still just a child, and then had the courage to risk that fragile existence by going back as an adult. Cooper keeps it real in the best sense of the word, being matter-of-fact without being cold, being honest without being callous, and being true without being exploitative. The mixture of emotion and fact is beautifully balanced, and makes for a bittersweet story with the happiest ending it could have had.
Labels:
cannonball read,
family,
helene cooper,
history,
memoir,
nonfiction,
pain
Monday, June 8, 2009
Title Forty One: Rag and Bone (A Journey Among the World's Holy Dead) by Peter Manseau
This looked way more interesting when I picked it up, kids. I mean, I was raised Catholic, so I'm very familiar with the concept of relics (essentially a piece of a holy person, most often a saint; sometimes clothing will work too). I thought it might be cool to read about the experiences of a guy who spent years traveling around the world in search of certain relics - Saint Anthony's tongue; Saint Francis' toe; Jesus' foreskin; Muhammad's whisker; the Buddha's tooth. Manseau does a decent enough job of describing the relics' places in their respective faiths/belief systems, and gives some informative context, such as the juxtaposition of the world's religions in the Middle East and the genocide in Sri Lanka (site of the Temple of the Holy Tooth). The book itself isn't poorly written. It's just that the subject is as dry as the relics themselves, and it's kind of hard to get jazzed up about it. I salute Manseau for his thorough research and interesting travels, but beyond that, I've got nothing.
(The closest I've ever come to a relic was when I visited the Saint Katherine Drexel Shrine here in Bucks County and prayed at the altar where the saint is buried. I might want to see one sometime, though. Seems kind of interesting.)
(The closest I've ever come to a relic was when I visited the Saint Katherine Drexel Shrine here in Bucks County and prayed at the altar where the saint is buried. I might want to see one sometime, though. Seems kind of interesting.)
Labels:
cannonball read,
nonfiction,
peter manseau,
religion
Monday, April 20, 2009
Title Twenty Nine: Fast Girls: Teenage Tribes and the Myth of the Slut by Emily White
I was a women's studies minor in college. I know, right? How much more useless could my university experience be? Major in English lit, minor in gender studies, and find myself several years later suited for not much more than reading, writing book reviews, and loudly proclaiming that if anyone ever marries me, I won't change my last name. Hey, it's a cool last name.
Anyway, that little part of me was attracted to Fast Girls, a decent enough examination of the concept of the slut among teenagers. I admit to feeling somewhat out of my depth, because I went to a private all-girls' high school so I don't think we had a slut. Any girl that was whoring it up certainly wasn't doing it in the hallways, and if someone was doing it on the weekends it obviously didn't make enough of an impression on me that I remember it thirteen years later. White's own memory of her school tramp, a girl they all called "Anna Wanna," inspired her to research the notion of certain girls being singled out and tormented, whether their behavior warranted it or not.
White interviewed dozens of women and incorporated their experiences into what is really a very long senior thesis. The writing isn't particularly great, and the book gets a little tedious and repetitious while depending on references to feminist writings - including those of Simone de Beauvoir, Adrienne Rich, and Betty Friedan. In trying to find the answer to the question, "Why did that girl get singled out?" White never really came up with a decent answer, and instead just kept telling the same tale of the girl who was known for giving a train job to the lacrosse team or trading oral for cigarettes. The women who she interviewed were more interesting, and ranged from happy and successful in the post-high school world to depressed drug addicts who never really escaped it. White also probed the idea that the slut as outcast is a role found more often in white suburbia than multiracial urban settings, but didn't spend enough time on it to make it worthwhile. In the end it's just acceptance that some girls will always be set apart due to rumor, gossip and innuendo without really offering a way to change it.
Anyway, that little part of me was attracted to Fast Girls, a decent enough examination of the concept of the slut among teenagers. I admit to feeling somewhat out of my depth, because I went to a private all-girls' high school so I don't think we had a slut. Any girl that was whoring it up certainly wasn't doing it in the hallways, and if someone was doing it on the weekends it obviously didn't make enough of an impression on me that I remember it thirteen years later. White's own memory of her school tramp, a girl they all called "Anna Wanna," inspired her to research the notion of certain girls being singled out and tormented, whether their behavior warranted it or not.
White interviewed dozens of women and incorporated their experiences into what is really a very long senior thesis. The writing isn't particularly great, and the book gets a little tedious and repetitious while depending on references to feminist writings - including those of Simone de Beauvoir, Adrienne Rich, and Betty Friedan. In trying to find the answer to the question, "Why did that girl get singled out?" White never really came up with a decent answer, and instead just kept telling the same tale of the girl who was known for giving a train job to the lacrosse team or trading oral for cigarettes. The women who she interviewed were more interesting, and ranged from happy and successful in the post-high school world to depressed drug addicts who never really escaped it. White also probed the idea that the slut as outcast is a role found more often in white suburbia than multiracial urban settings, but didn't spend enough time on it to make it worthwhile. In the end it's just acceptance that some girls will always be set apart due to rumor, gossip and innuendo without really offering a way to change it.
Sunday, March 29, 2009
Title Twenty Five: Intern: A Doctor's Initiation by Sandeep Jauhar
Why do I read so many memoirs? Is it because I'm so bored with my own life? Do I just have a voyeuristic tendency to dig into the lives of others? I don't know, but since I bought another one today, I'm just going to admit my powerlessness over the memoir and give it up to a higher power.
In the case of Intern, Dr. Sandeep Jauhar's account of his internship and residency in a New York hospital, I was drawn because I have a mild obsession with medicine. I was supposed to be a doctor when I grew up. Throughout my entire childhood I was fascinated by the human body and the way it works. Every year, while making my Christmas list from the Sears Wish Book (do y'all remember the Wish Book?) I asked for the anatomical model with the removable organs; I never got it. Maybe I should tell my mother that's the reason I never followed through. The model would have made all the difference! Anyway, when I got to high school and it was time to pick a college and a major, I set my sights on the Physican Assistant program at a local university and applied to a couple of premed programs for backup. I got into the highly competitive PA program (one of only 40 accepted, whoot!) and promptly failed out after one year, not because I wasn't any good at it, but because I was 17 years old and no one in their right minds sends a 17 year old off to live in a dorm and expects her to actually, I don't know, go to class instead of spending her nights doing beer bongs and hanging out with fraternity boys. I spent the next couple of years at community college, acing my way through biology, anatomy and physiology, microbiology and medical terminology courses, but then I got lazy and bored and said, "Fuck it, I want to get an English degree instead." Don't think that I don't kick my own ass for that at least three times a week.
Anyway. Jauhar, the youngest son of Indian immigrants (his family came to the United States when he was a small child) took a circuitous route to medicine - he originally earned his Ph.D. in physics at Berkeley. His older brother Rajiv followed the family dream into a career in cardiology, and after a few years screwing around with quantum dots, whatever they are - physics were not a requirement for my PA program so I took anatomy and physiology in high school instead, and dissected a cat - Jauhar decides that he needs to do something meaningful with his life. A great part of his decision to go to medical school is tinged with jealousy of his brother and the respect and praise that Rajiv receives from their parents, who see Sandeep's little foray into academia as foolish and immature. After fast-tracking through Washington University Medical School in St. Louis, Jauhar packs up and heads out to New York Hospital to begin the three years of boot camp known as medical residency.
Jauhar does a very good job of describing his feelings of inadequacy, fear, and self-doubt as he is plunged into a reality for which no amount of reading and studying can prepare a person. Surrounded by the sick and dying, he sometimes wonders if doctors do more harm than good. He exposes the God complexes of the attendings, the futility of treating patients who seem to fight the men and women charged with treating them at every turn, and the overwhelming exhaustion of trying to be in several places at once without really knowing what he's doing in any of them. It's an interesting take on a place that is a mystery to many; unless either you or a family member has spent any length of time in a hospital (I myself went through it last summer when my grandmother was hospitalized for several weeks following an intracranial hemhorrage, or brain bleed) most of us have vague notions regarding how hospitals and doctors function, based mainly on shows like "ER," "House" or "Grey's Anatomy." Jauhar fleshes out the experience from the other side, showing what it's like to be the person responsible for those bodies in the beds, hooked up to wires and tubes and machines.
At times the narrative is bogged down by too much backstory; my real interest was in the patients and the medicine. In the course of his first year, his internship, Jauhar meets a fellow medical student who would become his wife less than a year later and does a mostly seamless job of integrating that subplot. He also hammers again and again at his sense of inadequacy next to his older brother, a cardiologist in the same hospital, and at times it gets tiring. We get it, your brother is a golden boy and you're in his shadow. He also explores the ethics involved in treatment, and in trying to find the line between helping a patient and causing more damage. It's an important point, but I just don't know if Jauhar has a hard time expressing his feelings on the subject or if, writing this book ten years later, his memories and feelings have blurred and merged in the ensuing decade, because those passages can be somewhat unwieldy and confusing. Granted, that could also be my interpretation of something that is really more of a moral issue and colored by my personal opinions and experiences.
Overall, I found Intern to be an enjoyable and informative read. Most people look at doctors and think, "Well, they must know what they're doing; we let them poke needles in our arms and shine lights in our eyes and stick us in radioactive machines and cut open our chests." The truth is that a white coat doesn't make you God; it just means you have a really good aptitude for memorization. Some doctors take that knowledge and try to do good, while others use it to lord over other people and look for glory. Jauhar does a standout job of giving civilians a peek behind the curtain and showing his readers that there is no great and powerful Oz; it's just a man who knows more than you do about something.
In the case of Intern, Dr. Sandeep Jauhar's account of his internship and residency in a New York hospital, I was drawn because I have a mild obsession with medicine. I was supposed to be a doctor when I grew up. Throughout my entire childhood I was fascinated by the human body and the way it works. Every year, while making my Christmas list from the Sears Wish Book (do y'all remember the Wish Book?) I asked for the anatomical model with the removable organs; I never got it. Maybe I should tell my mother that's the reason I never followed through. The model would have made all the difference! Anyway, when I got to high school and it was time to pick a college and a major, I set my sights on the Physican Assistant program at a local university and applied to a couple of premed programs for backup. I got into the highly competitive PA program (one of only 40 accepted, whoot!) and promptly failed out after one year, not because I wasn't any good at it, but because I was 17 years old and no one in their right minds sends a 17 year old off to live in a dorm and expects her to actually, I don't know, go to class instead of spending her nights doing beer bongs and hanging out with fraternity boys. I spent the next couple of years at community college, acing my way through biology, anatomy and physiology, microbiology and medical terminology courses, but then I got lazy and bored and said, "Fuck it, I want to get an English degree instead." Don't think that I don't kick my own ass for that at least three times a week.
Anyway. Jauhar, the youngest son of Indian immigrants (his family came to the United States when he was a small child) took a circuitous route to medicine - he originally earned his Ph.D. in physics at Berkeley. His older brother Rajiv followed the family dream into a career in cardiology, and after a few years screwing around with quantum dots, whatever they are - physics were not a requirement for my PA program so I took anatomy and physiology in high school instead, and dissected a cat - Jauhar decides that he needs to do something meaningful with his life. A great part of his decision to go to medical school is tinged with jealousy of his brother and the respect and praise that Rajiv receives from their parents, who see Sandeep's little foray into academia as foolish and immature. After fast-tracking through Washington University Medical School in St. Louis, Jauhar packs up and heads out to New York Hospital to begin the three years of boot camp known as medical residency.
Jauhar does a very good job of describing his feelings of inadequacy, fear, and self-doubt as he is plunged into a reality for which no amount of reading and studying can prepare a person. Surrounded by the sick and dying, he sometimes wonders if doctors do more harm than good. He exposes the God complexes of the attendings, the futility of treating patients who seem to fight the men and women charged with treating them at every turn, and the overwhelming exhaustion of trying to be in several places at once without really knowing what he's doing in any of them. It's an interesting take on a place that is a mystery to many; unless either you or a family member has spent any length of time in a hospital (I myself went through it last summer when my grandmother was hospitalized for several weeks following an intracranial hemhorrage, or brain bleed) most of us have vague notions regarding how hospitals and doctors function, based mainly on shows like "ER," "House" or "Grey's Anatomy." Jauhar fleshes out the experience from the other side, showing what it's like to be the person responsible for those bodies in the beds, hooked up to wires and tubes and machines.
At times the narrative is bogged down by too much backstory; my real interest was in the patients and the medicine. In the course of his first year, his internship, Jauhar meets a fellow medical student who would become his wife less than a year later and does a mostly seamless job of integrating that subplot. He also hammers again and again at his sense of inadequacy next to his older brother, a cardiologist in the same hospital, and at times it gets tiring. We get it, your brother is a golden boy and you're in his shadow. He also explores the ethics involved in treatment, and in trying to find the line between helping a patient and causing more damage. It's an important point, but I just don't know if Jauhar has a hard time expressing his feelings on the subject or if, writing this book ten years later, his memories and feelings have blurred and merged in the ensuing decade, because those passages can be somewhat unwieldy and confusing. Granted, that could also be my interpretation of something that is really more of a moral issue and colored by my personal opinions and experiences.
Overall, I found Intern to be an enjoyable and informative read. Most people look at doctors and think, "Well, they must know what they're doing; we let them poke needles in our arms and shine lights in our eyes and stick us in radioactive machines and cut open our chests." The truth is that a white coat doesn't make you God; it just means you have a really good aptitude for memorization. Some doctors take that knowledge and try to do good, while others use it to lord over other people and look for glory. Jauhar does a standout job of giving civilians a peek behind the curtain and showing his readers that there is no great and powerful Oz; it's just a man who knows more than you do about something.
Labels:
cannonball read,
medicine,
memoir,
nonfiction,
pajiba,
sandeep jauhar
Friday, January 30, 2009
Title Fifteen: The Sociopath Next Door by Martha Stout, Ph.D.
When we think of the term "sociopath," our minds conjure up such figures as serial killers, animal torturers, and despots. Unfortunately, the sociopath does not always fit into this neat box. According to Stout, "1 in 25 ordinary Americans secretly has no conscience and can do anything at all without feeling guilty. Who is the devil you know?"
Stout defines a sociopath as a person with no conscience, no ability to feel guilt or pity or love. A sociopath forms no attachments other than those that can benefit him. This inability makes it easier for them to blend into society and easier to destroy the lives of their targets. In some cases, it's the high-powered exec who marries to advance his career and calculates the monetary value of the people around him. He may shine in his corporate life but sweep sexual harrassment suits under the rug (with the help of his superiors) and cook the books, believing that he need answer to no one, including the SEC or IRS. Sometimes it's a psychiatrist, physician or pyschologist who undercuts her patients in order to screw with her colleagues. It may be the player who sucks in an unsuspecting, intelligent woman with low self-esteem by means of romance and wooing, only to drop all pretenses once he has her where he wants her, supporting him monetarily and bewildered by his complete ignorance of their child. Another example is the pillar of the community who plays the doting father and husband but uses his family as a front for his involvement in criminal dealings, killing a man in cold blood and using the community's support to secure his release from prison on the grounds of self-defense. Finally, it could be the old woman next door who strives to make the lives of her neighbors living hell with constant complaints and petty grievances.
It took this book for me to realize that I and my family have been victimized over the last year by a sociopath. My father played the part of a loving family man until we uncovered the truth: he had a girlfriend on the side and drained my mother's finances, leading her to a nervous breakdown. He destroyed the family business that I helped him to build and dragged us all down with him as he faces fraud charges (for which my mother may have to pay because PA is a joint marital property state). Now, as my mother attempts to distance herself from him as quickly as possible, he fights the divorce with every step even though he has leached every bit of money and love that she had, leaving her broke and broken. I am asked over and over again, "How did this happen? Your family was the last that we could ever have expected this to happen to!" I have no answers. Instead I, my mother, and my sister are left to deal with the aftermath.
Stout includes a lot of psychobabble, which I glossed over because I was more interested in the stories of the sociopaths and their families that she has met through her practice over the years. I cannot fathom the absence of conscience or love. I still cry over footage of Katrina and 9/11; my heart aches for the homeless and downtrodden that I see in my city. I wish that I had Paris Hilton's money so that I could fix the lives of these people and donate funds to cancer research. Some days I feel as if my chest is caving in at the heartbreak that I see on the news. I want to help everyone, or at the very least, buy them a Coke. When I worked in Center City I would regularly buy cups of coffee or sandwiches for the homeless perched on grates in the winter. Suffering brings tears to my eyes. I am overwhelmed by the suffering in Darfur. And I wouldn't trade any of that for the mind of a sociopath. My conscience makes me human and connects me to these people. Life without love is nothing.
Pick this up if, like me, you have an interest in psychology, but be warned that it can be slightly dry and bittersweet, like a good pizelle.
Stout defines a sociopath as a person with no conscience, no ability to feel guilt or pity or love. A sociopath forms no attachments other than those that can benefit him. This inability makes it easier for them to blend into society and easier to destroy the lives of their targets. In some cases, it's the high-powered exec who marries to advance his career and calculates the monetary value of the people around him. He may shine in his corporate life but sweep sexual harrassment suits under the rug (with the help of his superiors) and cook the books, believing that he need answer to no one, including the SEC or IRS. Sometimes it's a psychiatrist, physician or pyschologist who undercuts her patients in order to screw with her colleagues. It may be the player who sucks in an unsuspecting, intelligent woman with low self-esteem by means of romance and wooing, only to drop all pretenses once he has her where he wants her, supporting him monetarily and bewildered by his complete ignorance of their child. Another example is the pillar of the community who plays the doting father and husband but uses his family as a front for his involvement in criminal dealings, killing a man in cold blood and using the community's support to secure his release from prison on the grounds of self-defense. Finally, it could be the old woman next door who strives to make the lives of her neighbors living hell with constant complaints and petty grievances.
It took this book for me to realize that I and my family have been victimized over the last year by a sociopath. My father played the part of a loving family man until we uncovered the truth: he had a girlfriend on the side and drained my mother's finances, leading her to a nervous breakdown. He destroyed the family business that I helped him to build and dragged us all down with him as he faces fraud charges (for which my mother may have to pay because PA is a joint marital property state). Now, as my mother attempts to distance herself from him as quickly as possible, he fights the divorce with every step even though he has leached every bit of money and love that she had, leaving her broke and broken. I am asked over and over again, "How did this happen? Your family was the last that we could ever have expected this to happen to!" I have no answers. Instead I, my mother, and my sister are left to deal with the aftermath.
Stout includes a lot of psychobabble, which I glossed over because I was more interested in the stories of the sociopaths and their families that she has met through her practice over the years. I cannot fathom the absence of conscience or love. I still cry over footage of Katrina and 9/11; my heart aches for the homeless and downtrodden that I see in my city. I wish that I had Paris Hilton's money so that I could fix the lives of these people and donate funds to cancer research. Some days I feel as if my chest is caving in at the heartbreak that I see on the news. I want to help everyone, or at the very least, buy them a Coke. When I worked in Center City I would regularly buy cups of coffee or sandwiches for the homeless perched on grates in the winter. Suffering brings tears to my eyes. I am overwhelmed by the suffering in Darfur. And I wouldn't trade any of that for the mind of a sociopath. My conscience makes me human and connects me to these people. Life without love is nothing.
Pick this up if, like me, you have an interest in psychology, but be warned that it can be slightly dry and bittersweet, like a good pizelle.
Labels:
cannonball read,
martha stout,
nonfiction,
pajiba,
psychology,
reference
Wednesday, January 28, 2009
Title Fourteen: Manic by Terri Cheney
When you wait in line for a roller coaster, there's a long posted list of reasons that you shouldn't be in that line. I feel like I should post that list here, because Terri Cheney's memoir of her decades-long battle with bipolar disorder (also known as manic depression) is jarring, nauseating, and may induce whiplash. It's honest, raw, visceral, and GOOD. At the end of the book you may feel like you have manic depression, and that is exactly what it should do. Cheney draws you into her life and mind so completely that the lines become completely blurred and you are on that roller coaster with her. Enter at your own risk.
When Cheney is depressed, she is unable to function. She goes for days and weeks on end in isolation, taking leaves of absence from her high-powered, high-profile job as a Hollywood lawyer, ignoring friends, associates, the phone, and basic hygiene. When she is manic, she flies. She flirts, laughs, seduces, shines, takes risks, and attempts suicide. In between she bounces through a laundry list of pharmacotherapeutics and even undergoes ECT in a vain attempt to regulate a life spinning out of control.
There is no real narrative thread to this book, which lends itself more to the experience. Each chapter is a random account of an episode in her life, which is basically how bipolar disorder operates. There is no rhyme or reason. Underneath everything is the author's shame and subterfuge because mental illness, even when caused by biochemistry, is still such a taboo in society that only a very few can be allowed behind the curtain. Everyone else must be kept in the dark, and eventually there are so many lies that Cheney doesn't know what's true. The only thing that she knows is that she's trapped and there is no way out. It's like being in a soundproof box and screaming. No one can hear you.
Quite frankly, Manic can be terrifying and nauseating. The descriptions of hospitalizations and arrests actually made me feel powerless. Hopelessness, frustration, and impotence bleeds off of the page as Cheney recounts doctor after doctor, drug after drug, and her own knowledge of her illness, a knowledge that does nothing for her when she doesn't know how to help or stop herself.
If you like your reads light and fluffy, then run away from this book as quickly as you can. However, if you have an interest in real, flesh and bone people and struggle and guts, I would suggest that you stop by your library and give this a try. Dramamine is optional.
When Cheney is depressed, she is unable to function. She goes for days and weeks on end in isolation, taking leaves of absence from her high-powered, high-profile job as a Hollywood lawyer, ignoring friends, associates, the phone, and basic hygiene. When she is manic, she flies. She flirts, laughs, seduces, shines, takes risks, and attempts suicide. In between she bounces through a laundry list of pharmacotherapeutics and even undergoes ECT in a vain attempt to regulate a life spinning out of control.
There is no real narrative thread to this book, which lends itself more to the experience. Each chapter is a random account of an episode in her life, which is basically how bipolar disorder operates. There is no rhyme or reason. Underneath everything is the author's shame and subterfuge because mental illness, even when caused by biochemistry, is still such a taboo in society that only a very few can be allowed behind the curtain. Everyone else must be kept in the dark, and eventually there are so many lies that Cheney doesn't know what's true. The only thing that she knows is that she's trapped and there is no way out. It's like being in a soundproof box and screaming. No one can hear you.
Quite frankly, Manic can be terrifying and nauseating. The descriptions of hospitalizations and arrests actually made me feel powerless. Hopelessness, frustration, and impotence bleeds off of the page as Cheney recounts doctor after doctor, drug after drug, and her own knowledge of her illness, a knowledge that does nothing for her when she doesn't know how to help or stop herself.
If you like your reads light and fluffy, then run away from this book as quickly as you can. However, if you have an interest in real, flesh and bone people and struggle and guts, I would suggest that you stop by your library and give this a try. Dramamine is optional.
Labels:
cannonball read,
memoir,
nonfiction,
pajiba,
reviews,
terri cheney
Saturday, January 17, 2009
Title Thirteen: Stealing Lincoln's Body by Thomas J. Craughwell
Did you know that, in 1876, a small gang of thieves devised a plan to steal Abraham Lincoln's body from its tomb in the Oak Ridge Cemetery outside of Springfield, Illinois, and hold it for ransom? I never knew that, so it was with a certain amount of curiosity that I picked this book up from one of the non-fiction tables at Barnes & Noble. Craughwell has done an incredible job of researching his material (and when I say incredible, I mean it - the notes, bibliography, and index span nearly 40 pages at the end of the book) and he draws in all sorts of interesting and not-so-interesting information to create a tale that begins with Lincoln's shooting at Ford's theater and ends nearly a century later with the death of the final person involved in the entire situation - a plumber named Leon Hopkins who opened and sealed Lincoln's sarcophagus twice, and died in 1946 at the age of 94. (I told you the author took his research very seriously.)
To make a long story short, the whole plot arose out of a counterfeiting ring. When the Secret Service arrested Ben Boyd, something of a counterfeit genius operating out of Chicago, he was tried, found guilty, and summarily sent to the state pen. Jim Kennally, a saloon operator, political machinator, and all-around crook took a serious financial hit with the absence of Boyd and orchestrated a plan to steal the president's coffin and hold it for the ransom of Boyd's release. Thanks to a paid Secret Service informant, the plot was foiled, the culprits caught and sent to prison, the body saved, and this book written.
I picked up Stealing Lincoln's Body because I have a weird fascination with Abraham Lincoln and the Civil War, and I thought this looked like an interesting read. The blurb on the back even notes: "The custodian of the tomb was so shaken by the incident that he willingly dedicated the rest of his life to protecting the president's corpse." In the bookstore, my mind conjured up a lone old man, with only a pipe and lantern for company, perched in a chair in a house next to the tomb until his dying day. (Apparently I have a very active imagination.) Instead, the book was far too long on detail and minutiae - while I understand that the counterfeiting angle was integral to the plot and the history, I didn't need the entire history of counterfeiting in the United States. Did I need to know that the Indians traded counterfeit wampum to the white man in the early 17th century? Do I feel like I'm going to stab a pen into my eye if I type the word "counterfeit" one more time? The answers are, respectively, no and yes. Lincoln family lore is thrown in haphazardly and far more attention is paid to the qualities of mortar, brick, and marble than I needed.
I'd recommend this book to history buffs, but be prepared for a dry read. The most interesting fact that I took away from Stealing Lincoln's Body is that there is photographic evidence (included in the pictorial section of the book) of future President Theodore Roosevelt and his brother watching Lincoln's funeral cortege make its way through New York City. Put that factoid in your brain and chew on it, kids.
To make a long story short, the whole plot arose out of a counterfeiting ring. When the Secret Service arrested Ben Boyd, something of a counterfeit genius operating out of Chicago, he was tried, found guilty, and summarily sent to the state pen. Jim Kennally, a saloon operator, political machinator, and all-around crook took a serious financial hit with the absence of Boyd and orchestrated a plan to steal the president's coffin and hold it for the ransom of Boyd's release. Thanks to a paid Secret Service informant, the plot was foiled, the culprits caught and sent to prison, the body saved, and this book written.
I picked up Stealing Lincoln's Body because I have a weird fascination with Abraham Lincoln and the Civil War, and I thought this looked like an interesting read. The blurb on the back even notes: "The custodian of the tomb was so shaken by the incident that he willingly dedicated the rest of his life to protecting the president's corpse." In the bookstore, my mind conjured up a lone old man, with only a pipe and lantern for company, perched in a chair in a house next to the tomb until his dying day. (Apparently I have a very active imagination.) Instead, the book was far too long on detail and minutiae - while I understand that the counterfeiting angle was integral to the plot and the history, I didn't need the entire history of counterfeiting in the United States. Did I need to know that the Indians traded counterfeit wampum to the white man in the early 17th century? Do I feel like I'm going to stab a pen into my eye if I type the word "counterfeit" one more time? The answers are, respectively, no and yes. Lincoln family lore is thrown in haphazardly and far more attention is paid to the qualities of mortar, brick, and marble than I needed.
I'd recommend this book to history buffs, but be prepared for a dry read. The most interesting fact that I took away from Stealing Lincoln's Body is that there is photographic evidence (included in the pictorial section of the book) of future President Theodore Roosevelt and his brother watching Lincoln's funeral cortege make its way through New York City. Put that factoid in your brain and chew on it, kids.
Labels:
cannonball read,
history,
lincoln,
nonfiction,
pajiba,
reviews,
thomas j. craughwell
Tuesday, November 4, 2008
Title Four: Never Shower In A Thunderstorm (Surprising Facts and Misleading Myths About Our Health and the World We Live In) by Anahad O'Connor
Anahad O'Connor is a columnist for the New York Times, where he takes questions from readers in his "Really?" column on topics ranging from the veracity of old wives' tales to whether or not identical twins have identical fingerprints and older siblings are smarter. He has gathered over a hundred of these questions and gathered them into this funny, insightful and informative book giving you answers as to whether or not all that stuff your mother told you really is true or not.
O'Connor debunks such myths as the idea that cracking your knuckles causes arthritis and that you have to wait 45 minutes after a meal to go swimming, and makes the case that chicken soup is, in fact, good for a cold; you also can develop alopecia from wearing hats and tight ponytails. The book runs the gamut from topics such as sex, heredity, fitness, health, sleep, technology, and nature and is chock full of great questions:
"Will having sex before sports hinder your performance?"
"Does celery really have negative calories?"
"Does stepping on something rusty give you tetanus?"
"Can cold weather really give you a cold?"
And of course, one of the most ubiquitous questions of all:
"Do you risk electrocution if you shower during a thunderstorm?"
The answer to that one, incidentally, is yes. Not only does O'Connor describe the how (lightning that hits a building can travel through the plumbing, along metal pipes, and directly into a metal tap or faucet; additionally, tap water makes an excellent conductor because of impurities and minerals) but he also backs it up with expert confirmation from a former meterologist with the National Oceanic and Atmospheric Administration.
The fun of this book is that it has a great balance of science and banter, facts and jokes. O'Connor cites dozens of studies as he works his way through a mountain of questions but keeps a light-hearted tone. He also distills the information into neat bites so that it is easy to both understand the explanations and reasoning, and put the book down for days or weeks at a time and pick it up again when you're looking for something breezy to pass the time, but still want to feed your head. For a trivia savant like me, this is a fantastic addition to my (many) bookshelves.
Oh, and by the way - identical twins do NOT have identical fingerprints, so you don't need to Google that from your mobile.
O'Connor debunks such myths as the idea that cracking your knuckles causes arthritis and that you have to wait 45 minutes after a meal to go swimming, and makes the case that chicken soup is, in fact, good for a cold; you also can develop alopecia from wearing hats and tight ponytails. The book runs the gamut from topics such as sex, heredity, fitness, health, sleep, technology, and nature and is chock full of great questions:
"Will having sex before sports hinder your performance?"
"Does celery really have negative calories?"
"Does stepping on something rusty give you tetanus?"
"Can cold weather really give you a cold?"
And of course, one of the most ubiquitous questions of all:
"Do you risk electrocution if you shower during a thunderstorm?"
The answer to that one, incidentally, is yes. Not only does O'Connor describe the how (lightning that hits a building can travel through the plumbing, along metal pipes, and directly into a metal tap or faucet; additionally, tap water makes an excellent conductor because of impurities and minerals) but he also backs it up with expert confirmation from a former meterologist with the National Oceanic and Atmospheric Administration.
The fun of this book is that it has a great balance of science and banter, facts and jokes. O'Connor cites dozens of studies as he works his way through a mountain of questions but keeps a light-hearted tone. He also distills the information into neat bites so that it is easy to both understand the explanations and reasoning, and put the book down for days or weeks at a time and pick it up again when you're looking for something breezy to pass the time, but still want to feed your head. For a trivia savant like me, this is a fantastic addition to my (many) bookshelves.
Oh, and by the way - identical twins do NOT have identical fingerprints, so you don't need to Google that from your mobile.
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